Main Street Mahlon
by Jennifer Andrews

It’s late afternoon. The TV wedged into a corner flashes some Western on some channel. The sound is off. Instead, Johnny Cash’s grizzly baritone crackles and spits whispers into the small camper. Mahlon whacks the side of the FM stereo above his head, and soon Johnny’s singing clear over long roads and lost chances. “The blasted tuner is always a-goin’ out.” For the last twenty years, Mahlon’s life has been stashed into one kind of camper or another. It’s simple living. Everything he needs within arm’s reach. Everything he’s used to. But this camper’s got no wheels and no hitch. It stays put. Not an easy prospect for a man who once had a proud stretch of road to look down, cities to negotiate and a load of freight swaying heavy over 16 wheels.

Mahlon was the youngest of three children born to Minnie and Ed Main, in 1927. Minnie moved her family back home to Yoncalla, Oregon, after she left Ed. Soon after, she got herself a boyfriend, Vern, who worked long days in the woods and spent longer nights propped in a chair drinking whiskey. To make ends meet, Minnie took on borders. Feeding 12 working men three times a day and doing their wash weekly meant Minnie had little time for family. And Vern wasn’t interested. Mahlon learned quick that he was on his own.

At eight he got himself a paper route. Every day after school, Mahlon walked the route to deliver papers to 65 people spread out over Yoncalla and parts of Goshen. It took him two hours if he was going fast enough to make the Western at the movie house. But usually it took some four hours to make it back home. He had clients along the way he had to visit—working men he’d lend money to for a price. Mahlon charged interest on the loans men took out to play pool or cards. Most were glad to repay the kid for the pleasure of time away.

By the time Mahlon was ten he had himself enough money to buy the bike he’d been eyeing at Hans Bicycle Shop in Roseburg. Once a month, Mahlon would ride into town with his mother to shop at Safeway for the boarders. They might see a movie or go to the soda fountain, but their first stop was always Hans. Mahlon looked at the blue and white bike with balloon tires and a knee action fork from winter to spring and into summer before he could buy it and take it home. It cost twenty-eight dollars. The equivalent of a month’s pay for working man.

Although Vern was a good worker, he was a heavy drinker, and when he spoke Mahlon never knew what to believe. Mahlon didn’t believe Vern when he told him to watch out for the pilings. A month after Mahlon bought his bike, he was in St. Emmanuel’s Hospital in Portland, Oregon, strapped down to a bed with weights at the bottom of his feet. The weights were adjusted weekly to keep his legs straight and stretch them out. A piling pole had rolled off a load and crushed both of Mahlon’s legs. “All I’d been thinking about was getting back on that bike. They said I’d never walk again. When they took off the casts, my legs were so damn withered, I just about believed them. But I wasn’t going to be no cripple. As soon as I could, I trailed out to my bike, grabbed onto the handle bars and started walking alongside it.”

Listen to Mahlon
tell his bike story

Mahlon would straddle the seat of the bike, get himself settled and coast the bugger down the hill. Slow. The blue and white still shimmered fresh even after sitting out on the porch for a year or more. Mahlon steered the bike into the dip of the road, right before the hill started up again. He took a deep breath as he piled off the bike and put his feet down firm. He took hold of the handlebars and pushed his bike back up the hill. It took a long while. His small shuffles covered only inches of ground at a time. The sun was going down and his mother would be out hollering, but he wanted up and over the hill. Then he could rest a while. They said it would be up to him to get on his own two feet. They didn’t know he’d been doing that all ten years of his live-long life. They didn’t know what it was like to have nothing, then one day have blue and white stretch your world into something. Make it worth your while.

Mahlon began working in the woods as a whistle-jump at 14, then later as a heavy-machine operator. At 16 he signed up as a cook for the Merchant Marines. In 1945, he cruised into port for the last time on the USS Thomas. At eighteen he married Mary, built them a home, worked at the sawmills, hauled wood and began a family. He was not Vern, nor was he Ed. He stayed home and raised his boys good. But after all that working and raising, Mahlon figured it was time to see some of the country. In 1976, when Mahlon was 49 years old, he bought his first and only truck. It was beauty. First time he crawled up inside, he thought he was in heaven. “God, I wanted that thing. Looked at it every week for months. One day after we come back from lookin’, Mary says to me, ‘You haven’t tried anything yet you couldn’t do.’ I sold some property and bought me the truck. She was a ’75 Conventional White Freightliner, built in Portland. They don’t make them anymore. I got the last.” Mahlon got in his truck and drove away. He never had a lesson, just experience with heavy equipment. The truck was blue and white. It shimmied pretty into sable midnights hung low over the backbone of long, lean roads.

Listen to Mahlon
talk about driving
his Freightliner

From April of 1976 to August of 1990, Mahlon kept that truck on the road. He didn’t drive for a company; he drove for himself. He was in charge of his own loads and his own destiny, for a while. His first load took him from Portland to Spokane and back again. Covered every state west of the Mississippi but two in his first 18 months. His last trip took him from the West Coast to the East and back around. In 14 years of trucking, he covered over 2,000,000 miles of asphalt country road—enough to go to the moon and back again a couple of times. Mary went along for most of ten years. They shared the road, the cab and the driving. They built a life out of snatches of time taken in this place or that. Memories made and stored for days when the road got long and the silence got thick. Mary quit the road for good in 1986. She quit Mahlon a few years later. Soon after, Mahlon’s stomach turned to stone and squeezed blood.

There’s no house to come home to anymore. Mary’s got the house and made a life for herself independent of the family. Mahlon’s got the camper and a life he’s stuck with. The camper is a white tin box with green piping, an astroturf welcome mat and a green awning. It’s parked on the land Mahlon bought for his sons and used as a yard to repair and clean his truck. Now it’s his patch to settle on. Willy, his oldest, is next door in his trailer waiting to hear word on a load to be hauled. Michael rolls in once a month to service his rig, and the other boy, Dennis, has got his trucking company fixtures set up in the shop. He stops by weekly to service his small fleet.

Mahlon has not left traces of his life. There are no documents of his achievements, pictures of places he’s been, letters or scribbled notes—reminders of a life bound and tied in ribbon. Brown spots burned into the corners of formica and half-empty bottles of medicines are the only reminders of the ghost that prowls the cramped space of the small home. His belief in hard work, honest ethics and a love for the road are the only pieces of himself left to pass on—his legacy. Tattered and intangible, these remnants are easily forgotten. They fade with time and lost memory.

It is near sunset. The trailer rocks gently to Loretta Lynn. John Wayne is shooting it up on screen, and Mahlon is feeding Chip. There’s a pan of noodle soup on the stove. Orange light is deflected by the tiered windows and refracts in splintered shafts across the brown linoleum floor. Mahlon’s loafers are tucked under the bed. He’s got slippers on. His hat hangs on a nail over the opening to the sleeper. He sits at the table, lights up a smoke and reaches into the refrigerator for the chocolate milk. It’s getting late. He turns Loretta down and the volume on the TV up. One of his favorite Westerns is on. Mahlon never wanted to be anyone else but himself, not even John Wayne. But it sure felt good to be something to someone once.





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